My name is Philip Lundquist. I was a journalism major in school, later writing for and editing newspapers many years ago. When I first came across this Helium website a couple years ago, it didn't necessarily occur to me that it would be the vehicle for expressing my experiences and understandings about the U.S. Government's collusion with the multi-billion-dollar film industry. That, in fact, has turned out to be the case, and you may regard most of my Helium articles as irrelevant to the purpose, and be advised that they are still available for viewing despite my sincere efforts to have them deleted from this website. My penname "cheephillippe" is a swipe at the cheapness characterising much of society's discourse. So for those of you with interest, I'll proceed..... At the 1980 Academy Awards, host Steve Martin said, "If you want to know what is really happening in America, look at the movies". This was very little to give you an understanding of the collusion between law enforcement & intelligence agencies and the Hollywood film industry, not to mention those globalist bankrollers of the films who are behind the historical events you thought you understood. My particular interest in unveiling this phenomenon should become clearer as you read on (and if you have been stirred to even modest belief, you may avail yoursef of my featured article below this profile, my several blog entries by clicking 'lambsfordinner' under "mylinks" to the right on this page - where, I trust, you'll find the articles a bit more appealing than some of the articles here at Helium, whose policies make scant provision for revision and editing, and my occasional articles at www.forgottenvoice.org - beginning in early 2008). So, here, I am trying to provide some more illumination about this film arrangement....... During my first year at university in California (and under the influence of some fundamentalist Christian 'leaders' who had not a clue regarding the world around them), I wrote several strident biblical articles for the student newspaper. As mentioned in my blog, in one of these articles I included a long quotation from Conrad Hilton titled "There Is Room For Him", a call for major cultural change whereby Hollywood and other media would adopt a more Christian stance. At this time in early 1969, my life had not yet become chequered with the controversies which fueled later films, but the words, nonetheless, did not fall upon receptive ears in the film industry even then. My last name is Lundquist (not a particularly common name in the USA), and a little more than a year later, Robert Redford's film, "Jeremiah Johnson", came out. This was one of several Hollywood films during my generation's impressionable years of school and military service which bore dinstinctly anti-Christian overtones. One of the characters in Redford's film was the dour and hypocritical Reverend Lundquist (he essentially got Redford's family killed in that movie). A couple years ago, I began discussing this film pointedly with some in the national media. Last year, Robert Redford then appeared during a TV interview and said, "I don't remember why we made that film". In a Helium article, I briefly mention the U.S. Government's extractions from open-source materiel which are threaded through these films. Here are a few additional insights into collusively-produced films - "Borat" was a CIA anagram for "abort" (as in a national security investigation aborted, a feature of which was intercepted mail which contained derogatory references to Kazakhstan. The abortion followed my sending the letters described below to Prime Minister Tony Blair - so "they" tapped Baron Sacha Cohen to do Borat. And my deepest apologies here for space limitations which do injustice to everything involved). Mel Gibson's "Braveheart" and other Scottish- and Irish-themed films ("In The Name Of The Father", "Michael Collins", "Some Mother's Son", even and particularly "Chariots Of Fire") stemmed, in part, from the U.S. and U.K. Governments' interest in worldwide sympathetic responses, during 1981, to Bobby Sands' Maze Prison hunger-strikers. I attended the (Scottish) Coldstream Guards' August 1981 appearance at California's Anaheim Convention Center, where a large Irish group protested. This was the same week during which the last hunger-striker died - a Mr. Devine, as in "Waking Ned Devine", another of "their" films (see www.sinnfein.org). Nicholas Cage's derisive "The Weatherman" came straight from the FBI's ongoing illegal mail intercepts of former Weather Underground leader Mark Rudd's mail (On the weekend that this film came out, I wrote U.S. Senator Russell Feingold a very explicit letter about the films. One week later during televised Senate hearings into covert Government programs, he turned to the FBI's three representatives and asked, "Is there...any other major program you have not told us about?" The men turned nervously towards one another, then insisted upon a closed session). Although I do not believe it would yield results for the average reader here, you could try writing to screenwriter Randall Wallace and others whom I mention, for candid and revealing answers about the Government's hand in their films. How much more do you think it is possible to tell you - briefly, and within the confines of Helium's profile space here? Laura Bush made a campaign visit to Las Vegas in October 2004, and praised a national law enforcement conference being held that week at the Las Vegas Hilton. Please reference my several articles on law enforcement issues here in Las Vegas, particularly the Phillippe LeMenn case. I wrote Mrs. Bush at that time, and mentioned the LeMenn case. I received a White House response a few weeks later, signed in Mrs. Bush's name by her chief of staff, Denise Bradley. Several months later, I sent this original letter from the White House along with a letter which I wrote - to PM Blair. The occasion was the granting of CBE (Commander of the British Empire, an honourary title) to Miramax Films' Harvey Weinstein. The particular reference here was to his 1995 film, "My Life So Far", set in the Scottish Highlands and laced with sexually derogatory depictions of Scottish Christians. In the film's credits were the words, "Dedicated in loving memory to Ian Charleson", the British actor who portrayed Christian runner Eric Liddell in "Chariots Of Fire". Ian Charleson died of AIDS in 1990.....I also mentioned the LeMenn case to PM Blair as an example of the civil rights abuses practised by the Administration with which he had aligned himself. These letters caused quite a stir in the House of Commons, and hardly less when President Bush came on TV a few days later to disparage "those who have undermined our efforts...as in Las Vegas". I believe that you can read a great deal - with reference to these comments - into the arrests of Baron Lord Michael Levy for selling national honours and PM Blair's resignation..... Now, I suppose that any further comments here can only be a step down to what has just been written, but I wish to add the following: In May 2005, President Bush spoke at a ceremony in Virginia, for fallen law enforcement. The event was televised, and Bush made reference to "the majesty of the law" (the term is used by a French magistrate in Chapter 1 of British author Arthur Griffiths' classic book, "The Thin Red Line", published in 1900 - nowadays, the term means that they can get away with anything they want to do, regardless of the law, engaging in various illegalitiies and attempts at intimidation along the way to discourage such unveilings as this one). I wrote Amnesty International in London afterwards, that "majesty is one of society's precious commodities...if one component of society is held in majesty, others are held in debasement". My reference was to the "majesty" of churning the plundering of our privacy and civil rights into multi-million-dollar films - which, of course, leaves those who are plundered debased. In fact, it leaves the entire society debased, in that it gives confidence to those in the nation's highest positions to do what they have done. At any rate, I received a reply about a month later from Amnesty International. The envelope arrived in my Las Vegas postal box - ripped open from end-to-end.....You have been played by powerful Government and monied interests, through the film industry. On behalf of the truth and the people in my life who never saw these abuses exposed, as an indictment of those who have used their power to desecrate the national culture and other national cultures, and our legacy, and in defiance of their criminal acts of intimidation, I offer you, the reader, these brief insights.

My passion is ...

You. Your knowledge and concern about the world around you.

I know too much about ...

I really can't think of a sensible way to complete this statement

My parents always told me ...

.....to eat everything on my plate. Then they told me not to eat so much.

My childhood ambition ...

.....did not factor in betrayal, and the vile indifference of the powerful.

My favorite memory ...

as an adult, probably working on contract during the 1980's with Air New Zealand

Why I write ...

It's the distant second-best-thing-to-do after direct action - and none of you should be under any illusions nowadays regarding the possibility of direct action.

What I am reading/watching/listening to ...

to answer all three in one brief statement - I prefer unapologetic unveilings of the sinister and powerful forces behind events, although I do not prefer the Government helicopters and home invasions which go along with sharing this materiel with others.

My first job ...

an independent contractor at age 9, helping to lay cement for a neighbour - I was paid non-union wages, with no health coverage, overtime, or retirement plan. I have been concerned ever since about these things.

My best moment ...

when invisible government and their demon overlords have been exposed and made a meal for the rest of us

My inspiration ...

the end is soon

Entertainment > Movies (Other) Film: A story at what price

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(I ask the reader to keep in mind some comments here regarding the following article. Left to themselves, the law enforcement/intelligence community has not told you about these things. Neither has the film industry, nor the media. For most of you readers, this will be the first unveiling of an historic scam perpetrated upon the American people, and upon other national cultures). I must compliment those who design article titles for Helium. The above title does, indeed, capture an underlying principle of the film industry's offerings. If you only knew. You SHALL know more in a few moments. ...

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