Ajani is a Singaporean, whose latest thoughts (as of 17 March 2008) have to do about structured education, existentialism and for academic purposes, has concerned himself with thinking about the differences in philosophy and intervention of psychiatry and psychology.

Ajani's professional affiliations are currently with a certain junior college in his nation, and is a Buddhist and has no known official political affiliation. He quite likes anarchism, but it must be stressed before he gets accused for anything that still, he has serious logical issues with it's actual implementation.

Ajani would quite like to be qualified academically as a psychologist and also as a philosopher. After achieving so, Ajani currently targets to either enter the former professions, or become a professional diplomat or author.

My passion is ...

to think and to write

I know too much about ...

random stuff under the sun

My parents always told me ...

not to shake your legs

My childhood ambition ...

was to become a lawyer

My favorite memory ...

was when I discovered myself

Why I write ...

to achieve the ultimate state of writing - perfection

What I am reading/watching/listening to ...

books of deep thought

My first job ...

shopfloor part-timer

My best moment ...

was when I became myself

My inspiration ...

was He Who Conquered Himself

Entertainment > Movie Analysis Movie analysis: Perspectives of reality as portrayed in He Loves Me, He Loves Me Not

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"To be is to be perceived." - even if reality is out there within the everyday objects we see; touch; hear; taste and smell, our sense-data nevertheless still needs to pass through our cognitive and mental processing faculties prior to its acceptance as the knowledge we have of reality. This faculty of perception lies centrally behind the way we understand the story in "He Loves Me, He Loves Me Not" ( la folie...Pas du tout), as our perspective, dictated by the cinematography, clouds the potential capabilities of judgment we could have about the reality of Angelique and Loic's lives.

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