Wimsatt's literary "hip-hop album" possesses a narrative unique to what the literary world within academia has ever witnessed. This is a testament to just how revolutionary Wimsatt's work really is. As he documents his experience with graffiti, the sub-culture that produces it, hitch-hiking across the United States, b-boying, rapping, and his experiences with crossing racial divisions, Wimsatt articulates a key question that Cultural Studies seeks to answer: how are our conventions of politics and culture entangled within the resistance to power? Wimsatt confronts the dichotomy between the...
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