of forms, gravity-defying aerial assaults, an arsenal of weapons techniques and the brute force of striking and grappling.
As it does not seem likely that the People's Republic will have future need to employ martial monks to defend the country from Wokou raiders as it did in the old days, Kung Fu students of the new millennium will eventually end up common businessmen (with a hell of a roundhouse), some will become police officers, and the bottom percentile relegated to rent-a-cop.
But in all their fearless eyes is that youthfully high hope; the desire to become the next Jet Li, China's "national treasure" who attended a Kung Fu training school from age 8 and went on to become a five-time Wushu champion and silver screen sensation.
But is real life at a Kung Fu school as glamorous as its on-screen personification?
-WUDANG CLAN-
A few kilometers away from Shaolin Si against the placid waters of Song Shan reservoir, the 11 year-old Shuiku Martial Arts School, with only 200 students, may be dwarfed in both size and reputation by its estimable red-suited rival, but the daily drill is virtually the same.
Whilst the rest of the working world operates on a 9-5 schedule, life at Shaolin Shuiku is literally backwards, from 5am to 9pm. In the blue light of dawn, barking instructors rouse their respective teams for a run in the brisk morning mountain air as Chinese patriot songs echo into the surrounding mountain range.
Stretching, sprinting, fist pushups and other exertive exercises to forge their young bodies into steel take place beneath the rising sun, the packed-earth schoolyard a veritable army of green-uniformed students lined up in formation. A quick cafeteria breakfast is followed by two hours of requisite textbook classes including Chinese, Math and perfunctory English.
Before lunch and then into the evening is the fun stuff basics, forms, applications and weapons components of the external (Shaolin) and Wudang, or internal, styles of Kung Fu training. Most can be rudimentarily learned in a matter of years, but take a lifetime to perfect.
Forms, which are actual fighting techniques with the appearance of a choreographed dance, are the most elegant. The animal styles, for example, involve strength, speed and psychology; the Tiger for external force and a strong attack, the softer Crane style for patience and concentration, and so on down the animal kingdom.
For the less graceful student, competitive Sanda sparring more resembles street fighting than poise, whereby the
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