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websites, email campaigns, and even a charity fundraising initiative, all to broadcast "the Gospel of Supernatural" to the masses.
Their daily lives a whirlwind, few quiet moments exist for these two outside of motel rooms and their beloved '67 black Chevy Impala, a legacy left to Dean by their father that is often described as the "third character" on the show. The car's expansive trunk holds an arsenal of ghost and evil-fighting equipment. Listening to Dean's classic rock cassette tape collection, the brothers travel steadfastly from town to town in search of their next "gig." They pick up clues from newspapers and local tips, then follow them resolutely and skillfully to the ultimate confrontationbe it a Reaper summoned and controlled by a warped member of a religious flock, a genie hulking in an abandoned warehouse greedily sucking the life from its victims, trying to help a disturbed young man with paranormal capabilities, counteracting the latest threats from an overzealous FBI agent called Henderson, or a rabid demon-hunter who is convinced that Sam is the anti-Christ, the brothers thread the needle to find solutions that will hurt the fewest innocents while confronting the demons in their own psyches. This season brings even more challenges in the form of a demon named Ruby who claims to be able to help save Dean from his crossroads deal, and Bela, a mercenary who is in the market for stolen goods including some of the artifacts and talismans the Winchesters must use in order to win in the fight to save mankind in the coming Apocalypse.
It's a thrilling, often shocking bloodbath when these two let go in a battle to conquer evil. It's just as heart-stoppingly inspiring when Dean cuts down a victim who has been left to die, saves a drowning child, or Sam places a calming hand on Dean's chest. When these two get onto a metaphysical level and confront issues of their own self-worth and destiny, it's nothing less than a lesson in the purely redeeming alchemy of human empathy. Each vowed to stop at nothing in order to save the presumably doomed other Dean having sold his soul and left with one year to live, Sam being possibly the heir to a kingdom of which he wants no part. Each has his own lessons to learn, his own wisdom to share, and demon asses to kick. In this time of waning consumption of fossil fuels and the yawning threat of the end of the American dream, in the face of fear, despair, and the sure knowledge of impending doom, there is in the American psyche an unwillingness to give in to all of this. So perhaps the best thing about Supernatural is the emphasis it places on the preservation of hope, love, and ideals. There are still wide open highways to roam together in a kick-ass muscle car. Saving lives. Hunting things. The family business.
And I, an avowed environmentalist and social activist who not too long ago totally eschewed television, plan to be right there with them every step of the way. Somewhere bound up in all of the work that the show's creators do, there is the timeless theme of humanity's search for what is good, right, and honorable in all of us, perhaps especially the not-so-perfect. And that is an important and worthy thing for television to be doing nowadays. So yes, I'm spreading the Gospel of Supernatural, one of the finest pieces of collaborative art to brighten the universe in a long, long time.
Susannah Eanes writes, dances, bakes bread, tends a flock of heirloom chickens, is mother to five living with her archaeologist husband on an eighteenth century plantation in rural Carolina, and is a total Dean Girl.
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