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Interview with Filmmaker Rodrigo Diaz McVeigh'

Rodrigo joins me again today to talk about his latest project "Havana Surf"

Hello Rodrigo, tell me about "Havana Surf?"
"Havana Surf" is a documentary about the surfing culture in Cuba. Surfing's material and political issues struggle as well as the exploration of its un-surfed swells. This documentary also highlights the website www.havanasurf-cuba.com and its Australian founder Bob Samin who was just recently appointed Surf Coach for the Cuban National Team.

I focused on interviewing 5 Surfers from Havana and then took them on a surf trip all around the Oriental Cuban Coasts.
About how many days did it take to shoot the film? I shot "Havana Surf" over different periods of time but all together I have 14 hours of high definition footage for this project.
I'm currently working with StruendofilmMakers a production company in Madrid, Spain to try and get the documentary picked up.

Is the film scheduled to be released on DVD and will it be screened at any film festivals? Recently, we have found someone that's interested in distributing Havana Surf.

My main goal is to get it in on time for the Havana Film Festival in mid December I am a big fan of this festival and I feel that the organizer Alfredo Guevara has done an amazing job to give Cuba one of Latin Americas best Film Festivals.

I enjoyed the trailer of "Havana Surf" and the music; tell me something about the music you used?
For the original sound track I used one of my Father's recordings called Vino Una Ola (Along Came the Wave) which was a hit in Europe in 1968.
Then while in Havana, I asked some local musicians to record 12 songs of different traditional Cuban genres but each one with the Le Motif of Vino Una Ola. When I returned to I Miami I then mixed and mastered the music with Adrian Posse who is a great Argentinean Music Producer and specializes in Latin music. I would also like to say thank you to Guitarist "Jako" who was my guitar teacher in Cuba and really deserves all the credit for the sound track he gathered the musicians and wrote the music and found a studio for us to record in at local price.

Who did you have for the film crew?
I would like to thank Reinier and Orieta Valdes-Prado distant cousins who where crucial in pre-production and who I could trust like a brother and sister. I would also like to thank Pedro and Jose who I met in Escuela Internacional de Cine y TeleVision in a documentary course with Octavio Cortazar as our professor. They worked for

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