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Up and Down in Toledo, the expected and the surprising

I have wanted to visit Toledo for at least forty years and for one particular reason, being the canvases of Domenicos Theotokopoulos, or El Greco as we have learned to call him. Well, now I have been and I found what I sought, plus a truly amazing and unexpected surprise.

Toledo is one of those celebrity tourist destinations that defy categorization.

It was a trading centre in Roman times. It was the Visigoth's capital in what we still call the Dark Ages. It became a splendid, rich, cosmopolitan, multi-faith trading city and artistic centre under Muslim rule. The Christian era saw the construction and decoration of the institutions and monuments that now comprise the city's current iconic identity. And, after the period of relative decline that affected all of Spain, it is now one of the world's most visited tourist venues whilst retaining its own, highly dignified life.

Its setting is superb. Almost surrounded by the Rio Tajo, the outcrop towers over the gorge. And it is topped by a mass of buildings, each of which seems to state its own competitive claim to grandeur. Few of them can challenge the sheer scale of either the Alcazar or the cathedral. The former is much reconstructed and rebuilt after being fought over many times, but its vast scale alone impresses, and surely, courtesy of El Greco's painted cityscapes, is one of the most recognizable buildings one earth. The cathedral, on the other hand, is both monumental and aesthetically pleasing. Its pictures include El Greco portraits of the saints and an amazing, near cubist Madonna by Morales. One chapel has portraits of all the archbishops who have reigned there. The treasury has five hundred years of their robes. And the ambulatory behind the altar has some of their cardinal's hats hanging from the ceiling. Apparently they are hung over the owner's tombs and remain there until they rot. The hats, that is.

There's an interesting point to be made about a visit to one of the town's smaller buildings, the Synagogue of Santa Maria la Blanca. The period of Muslim rule was marked by great tolerance. Though the different religious communities had their own areas of the city, Christians, Jews and Muslims built their own churches, synagogues and mosques. But after the re-conquest, Christianity asserted its dominant and normative creed and everything except the churches was suppressed. So the synagogue became a church. An altarpiece was erected in front

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