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Monday nights usually finds me at the computer, working on new articles, checking emails and updating accounts. But, when the clock hits 9:55 PM (EST), I shut everything down, grab a cup of coffee and the remote. Then, after running the cat off the easy-chair, I settle back to enjoy the latest installment of the CBS hit series, CSI: Miami.

If there's ever a show that has a more solid hook than this one, I don't know what it is: Each episode starts with an vibrant splash of color and movement, beginning with a shot of either the coastline or Miami skyline and quickly progressing to the criminal act itself.

Seconds later, the crime scene switches to CSI chief Horatio Caine (David Caruso) standing with Detective Frank Tripp (a very convincing Rex Linn) as they discuss the situation. Speaking calmly and methodically, Caine makes an assessment that sets the story as a murder investigation. He puts on trademark sunglasses during his last few emphatic words, then quickly exits the shot as the famous Daltrey scream intros the theme, "Won't Get Fooled Again."

After commercial break, the storyline begins, seasoned with the superb acting of a well-defined cast. Ballistics expert Calleigh Duquesne (Emily Procter) can be personable and lighthearted, but doesn't hesitate to get in someone's face if they cross her; Ryan Wolf (Jonathan Togo) constantly rubbed elbows with a controversial innocence but still did his job well; Alexx Woods (Khandi Alexander) is the straightforward but caring Medical Examiner, and Natalia Boa Vista (Eva LaRue) does forensic lab work while maintaining a girlish charm (she once dated Delko as well). And Detective Frank Tripp (Rex Linn) has a voice and manner that makes him unbelievably authentic in his role. Together, they add an interesting but eclectic mix of professional duty and personal condition to the show.

But it's chief detective Caine that actually creates the Miami mystique. His cool and confident style, wrapped in almost metered speech - and sunglasses - is the axle upon which this amazing show revolves. Despite whatever insidious act the crew is involved in solving, and whether they're embroiled with the Internal Affairs Bureau or each other, the viewer feels the sensation of relief whenever "H" arrives on the scene.

Another, and perhaps hidden, attraction to the show is the stars' varying styles of speech: Calleigh's Carolina drawl makes her character seem even more real, while Eric's thoughtful, almost humble voice

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