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Created on: November 26, 2011 Last Updated: November 28, 2011
Sir Christopher Wren, famed as the architect of St Paul’s Cathedral, was born at East Knoyle, Wiltshire, on 20th October 1632. He was the only surviving son of Dr Christopher Wren, the local rector who would later become Dean of Windsor, and his wife Mary.
After education by private tutors, including his father, he entered Wadham College, Oxford, in June 1650 and graduated with a BA in 1651 and an MA in 1653. Wadham College was known for its strength in mathematics and natural science, and its warden, John Wilkins, was one of the circle of scientists who would later found the Royal Society. Wren was greatly influenced by Wilkins, and the two men worked together on building an astronomical telescope after Wren had become a fellow of All Souls in 1653.
In 1657 Wren was appointed to the chair of astronomy at Gresham College in the City of London and in February 1661 he became Savilian Professor of Astronomy at Oxford University. Wren was active in many mathematical and scientific projects, including research in optics and experiments in printmaking, surveying, navigation and other fields.
Wren played an important part in the foundation of the Royal Society (he helped to draw up its royal charter) and his name thus became known to King Charles II.
In 1661, in an unofficial capacity, he gave advice on the repairs needed to old St Paul’s Cathedral, which had suffered from decades of neglect. This was his first brush with architecture, having previously declined a commission to oversee the refortification of the port of Tangier, based on his acknowledged status as one of the best geometricians in Europe.
During the early 1660s he developed an interest in architecture that was to take precedence over everything else in his life. Using observation, his skills as a mathematician and physicist, and intuition, he taught himself the fundamentals of architecture and was soon working on important commissions with considerable success.
His most important early commission was for the Sheldonian Theatre in Oxford, the U-shaped building that is still used today for university events including degree ceremonies. This innovative building, which was always intended to be multi-functional, avoided the use of internal pillars by using traditional roof carpentry methods. The emphasis on functionality was to be the hallmark of Wren’s architectural style. Other commissions followed, including several for Oxford and Cambridge college buildings.
Wren made his only overseas
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