by Rianne Hill Soriano

Created on: July 16, 2010

While not without its own kryptonite, Superman Returns soars as an epic reboot honoring the Superman mythos.

Amidst the many shortcomings, it retains the spirit and essence of the original comic book. This almost 200-minute movie still catches the fanatical hearts following the legend by delivering a modern recreation of the caped hero, this time, through Brandon Routh.

Superman Returns keeps up with the legacy of every Superman movie as it recreates another gravity-defying Superman story. The franchise itself radiates that colossal advantage as its very name automatically draws utmost attention on its own. Even the thematic and cinematic weaknesses of this new version doesn't result into a totally failed campaign, given Superman's legendary appeal.

The Man of Steel continues to steal the hearts of this generation's fans and movie aficionados all over the world. With the seeing of the big red "S" back on big screen, film technology has undoubtedly improved much since the superhero days of the late Christopher Reeve. The challenge to reinvigorate the comic book saga into a modern 2006 moving picture version demands the upholding of the astounding grandeur, infectious energy, and fierce conviction of the Superman legacy. From the youngest children to the most grown-up folks, Superman, born in 1938, is still very much alive.

Superman Returns takes off from the hands of former X-Men director Bryan Singer. Paying respect and reverence for the mythology, he brings genuine connection to the enduring superhero as a commanding orchestrator of a new pop and yet classic spectacle. Given the pressure from all generations of Superman fans, he utilizes first-rate special effects unavailable decades ago to show a sort of play safe treatment in this Superman production.

Singer left the X-men franchise in favor of reliving the Superman saga. His first flight into the Superman territory maintains a classic feel while adding some comic touches to the picture. It never grows too dark and assuming. It lets itself yield towards what is humanly.

The music from the genius of John Williams carries out with a blast. Though the editing and sometimes poor pacing bring down the movie, the spectacular visuals and impressive score still make it a splendid audio-visual treat.

The conflicting timelines showing the "classic past" in between mobile phones, computers, and present-day technology doesn't justify a good use of creative license. In this aspect, the movie falls quite short.

Singer

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