by Evelyn LaVey

Created on: November 17, 2009

2008, without a doubt, was a breathtaking year for musical innovation. The stunningly beautiful feel brought out in Radiohead's In Rainbows; Cult of Luna's subtle progressions incorporated throughout 'Eternal Kingdom'; the intricacy behind Gojira's monstrous 'The Way of All Flesh'; Black Sheep Wall's terrifying and unprecedented album 'I am God'; Cynic's revolutionary 'Traced in Air'. Furthermore, I cannot neglect to acknowledge Nine Inch Nails, Opeth, The Mars Volta, Steven Wilson, Serj Tankian, Scars on Broadway and Portishead a sampling of a few of the other artists who put out diverse albums that work to defy the conventions of the mainstream and bring out a degree of striking musical ingenious. To choose one from the many seems an unthinkable task.

Aside from all of these albums, however, stands that of a band unparalleled in capability and complexity. This band is Meshuggah, and their sixth full-length studio release, 'ObZen', is the most technical piece of musical work to date. I present to you this album as the best of 2008.

Meshuggah is recognized for their idiosyncratic musical style that integrates elements of experimental jazz, math rock, and post-thrash into a sound like no other. This band's many layers are shown in their polyrhythmic structures and distinct songwriting approach that clearly demonstrate their lack of regard for the norm. Their lyrics often explore esoteric philosophical concepts that retain a substantial amount of depth, especially in contrast with the trivial indifference found within the conventional.

In 'ObZen', Meshuggah draws from this pronounced style while continuing to evolve musically. The album combines intricate polyrhythms and morphing guitars to develop colossal sound with chilling undertones in a way we have never before heard. This sound takes on many different progressions, yet remains fierce, insane and exceptional throughout all nine of the album's tracks.

The word 'ObZen' means that mankind has found its 'zen' in the obscure and the obscene. The album can be viewed symbolically as an illustration of mankind's worst potential, and through this it is intended to be more a cautionary tale than a hateful representation. The cover shows a man, covered in blood, sitting in a meditative position a metaphor for the human race finding peace of mind through obscenity.

'ObZen' is a masterpiece. There is such an incredible concentration of characteristics within this album, and so many different angles by which it can be viewed; not all aspects of 'ObZen' can be fully recognized upon first listen. Far more than just a musical attempt, 'ObZen' sees into the depths of human nature and reveals the characteristics that lie within each of us.

Learn more about this author, Evelyn LaVey.
Click here to send this author comments or questions.