by Ruth Kongaika

Created on: October 14, 2009   Last Updated: November 10, 2009

Attempting to draw the live human figure can be very intimidating to most of us. In the beginning it is important to stay flexible and not get caught up in the details of the figure. It is suggested that the first sketches from life are done in a very light and loose scribbling manner capturing the gesture of the figure. A new artist would be wise to try several different approaches before settling on one that is best for them.

It is very helpful to mark the top, middle and bottom of the figure on the paper to make sure the drawing fits well on the drawing surface. Make a mark on the paper where the middle of the figure is. By doing this, if the top section of the figure begins to grow larger when starting on the details, they will notice, and be able to correct it before the figure is top or bottom heavy. It is good to have a vertical line through the center of the figure so that they can compare both sides. This way, if the model shifts slightly, this line acts as a reference point. It is also wise to be aware of where the quarter points typically fall on the figure. When standing, these points usually fall at the nipples, crotch and at the knees. Of course, these points vary for each individual, but at least there is a reference point.

When looking at the model, the artist should be aware of the empty negative spaces that surround the figure. They also form shapes. In art classes, one session is usually devoted to filling in the negative spaces on the outside of the figure with chalk. This helps the artist increase their span of vision and train their eyes to see the whole scene, rather than concentrating only on the subject.

Next is to look for the basic, cylindrical structures that form the arm, leg and neck, the spherical shape of the head, and the barrel shape of the chest. Distinguish between the more angular, squared-off shape of the male pelvis as compared to the curving lines of the female figure. After determining that the shapes and proportions are acceptable, it is time to give the drawing some personality. This is done with action lines that follow the movement in the figure. This could be an entire sweeping line depending on which way the model is standing, or it could be movement lines from one limb to another.

It is a good idea to take a break afterward looking at the drawing with a fresh eye. An opinion from another person can help, accepting criticism and learning from it. It is best to ask someone who is a seasoned artist, and they will give suggestions that can be used to improve the drawing. The secret is practice, practice and more practice. Observing people from different angles and trying to capture the gesture and personality after first setting in the foundation is the key to great figure drawing.

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