by Joseph Pescatello

Created on: February 03, 2007   Last Updated: April 12, 2007

Each instrument has its own voice, and just like the human voice, it can express a wide range of sounds. The acoustic guitar produces everything from lush chords to delicate bell-like tones. A piano's voice ranges from deep, guttural bass notes to twinkling, crystal highs. And just compare a Cajun fiddle to a classical violin to hear the variety of timbres that instrument can produce.

Of course, the instruments themselves don't make any sounds at all. They all require one thing - the human touch. A person must take up the instrument and coax the voice from within it. And just as a new-born baby can't recite poetry, a novice musician can't evoke the instrument's full natural voice. Through practice, he or she develops a level of skill with that instrument.

Don't confuse skill with talent. Skill is acquired through hard work and a desire to excel. Talent is an innate ability; a gift that is bestowed on us at birth. Everyone has talent, but some people seem to have only to glance at an instrument and have it emit the most beautiful sounds. These musicians are blessed with a wealth of natural talent. The rest of us must spend countless hours wood shedding' in order to make our improvements. We depend more on our skill, which we hone and build upon with practice, to make us good players. Using that practice time effectively may be the most important thing a player can do to improve his or her musical skill level.

The goal in practicing is to improve our ability to coax the natural voice from our instrument. We want to be as expressive and nimble with it as we are with our own voice. Without thinking, we all use inflections, whispers, shouts and myriad other devices to express ourselves vocally. Ideally, we should be equally adept at manipulating the instrument's voice to express musical ideas. Most of us can't spend as much time playing and practicing as we do speaking, so we must make the most of the time we do have with the instrument.

Daily practice is necessary to sustain progress. When you skip days or weeks, the improvements you might have made fade quickly away. Establish a daily practice regimen that you can stick to. If you work a normal' job every day, it's a good idea to practice before you start working. You'll feel good knowing that you've been musically productive before you even begin the work day. Also, take one day of the week off. The rest will help you maintain a fresh approach to your music.
And don't over-do it. If you intend to practice for more

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