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Virginia Wright (ed.) Films and Authorship (London: Rutgers University Press, 2003)

Articles:

Mulvey, Laura Visual Pleasure and Narrative Cinema' from Screen 16, 3, 1975, pp.6-18

Mulvey, Laura Gentlemen Prefer Blondes: Anita Loos/Howard Hawks/Marilyn Monroe' from Wollen, Peter and Hillier, Jim (eds.) Howard Hawks American Artist (London: British Film Institute, 1996)

Websites:

http://www.femal efirst.co.uk/celebrity/1050820 04.htm (date accessed 4/9/06)

http://www.ebay.co.uk (date accessed 5/9/06)

http://www.amazon.co.uk (date accessed 20/8/06)

[1] Thomas Harris The Building of Popular Images: Grace Kelly and Marilyn Monroe' from Christine Gledhill (ed.) Stardom: Industry of Desire (London: Routledge, 1991) pp.40-44

[2] Foster Hirsch Acting Hollywood Style (New York: Harry N. Abrams, Inc., 1991) pp. 83-89

[3] ibid.

[4] Foster Hirsch Acting Hollywood Style (New York: Harry N. Abrams, 1991) pp.84-85

[5] ibid.

[6] ibid.

[7] Robin Wood Retrospect' from Jim Hillier and Peter Wollen (eds.) Howard Hawks American Artist (London: British Film Institute, 1996) pp.166-167

[8] ibid.

[9] Laura Mulvey Visual Pleasure and Narrative Cinema' from Screen 16, 3, 1975 pp.6-18

[10] Foster Hirsch Acting Hollywood Style (New York: Harry N. Abrams, Inc., 1991) p17

[11] Molly Haskell From Reverence to Rape: The Treatment of Women in the Movies (London: New English Library, 1973)

[12] Rachel Moseley Growing Up With Audrey Hepburn (Manchester: Manchester University Press: 2002) p55

[13] Rachel Moseley Growing Up With Audrey Hepburn (Manchester: Manchester University Press: 2002) pp.112-114

[14] Malcolm from Karney (ed.) The Movie Stars Story p190

[15] Jackie Stacey Star Gazing: Hollywood Cinema and Female Spectatorship (London: Routledge, 1994) p162

[16] Pam Cook from Pam Cook and Mieke Bernink (eds.) The Cinema Book, 2nd edition (London: British Film Institute, 1999) pp.33-39

[17] ibid.

[18] Cook The Cinema Book p33

[19] Laura Mulvey Gentlemen Prefer Blondes: Anita Loos/Howard Hawks/Marilyn Monroe' from Peter Wollen and Jim Hillier (eds.) Howard Hawks American Artist (London: British Film Institute, 1996) pp. 214-220

[20] ibid

[21] Laura Mulvey Gentlemen Prefer Blondes: Anita Loos/Howard Hawks/Marilyn Monroe' from Peter Wollen and Jim Hillier (eds.) Howard Hawks American Artist (London: British Film Institute, 1996) pp. 214-220

[22] ibid.

[23] Rebecca Bell-Metereau 1953: Movies and Our Secret Lives' in Murray Pomerance (ed.) American Cinema of the 1950s: Themes and Variations (Oxford: Berg, 2005) pp.89-110

[24] Lucie Arbuthnot and Gail Seneca Pre-Text and Text in Gentlemen Prefer Blondes' from Steven Cohan (ed.) Hollywood Musicals, the Film Reader (London: Routledge, 2002) pp.77-85

[25] Lucie Arbuthnot and Gail Seneca Pre-Text and Text in Gentlemen Prefer Blondes' from Steven Cohan (ed.) Hollywood Musicals, the Film Reader (London: Routledge, 2002) pp.77-85

[26] ibid.

[27] David Malcolm from Robyn Karney (ed.) The Movie Stars Book (London: Octopus Books Ltd., 1984) p190

[28] Molly Haskell From Reverence to Rape: The Treatment of Women in the Movies (London: New English Library, 1973) p253

[29] ibid.

[30] Molly Haskell From Reverence to Rape: The Treatment of Women in the Movies (London: New English Library, 1973) pxii

[31] Christina Aguilera quoted from http://www.femalefirst.co.uk/c elebrity/105082004.htm (date accessed 4/9/06)

[32] Interviews from MTV viewers, transcribed on http://www.femalefirst.co.uk/c elebrity/105082004.htm (date accessed 4/9/06)

[33] Retro Classics' produces a range of handbags, purses, etc. produced exclusively for Clinton Cards featuring four stars: two female (Hepburn and Monroe) and two male (Elvis Presley and Cliff Richard)

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