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Watchmen, directed by Zack Snyder, opened to much acclaim. The film has massive appeal to comic and graphic novel fans, as it is one of the most anticipated adaptations ever. Additionally, the film has drawn crowds from outside of the comic realm, attracting a healthy mix of sci-fi and action lovers, plus the techie crowd who simply adores anything with good special effects.

The film starts out very strongly, with instant action followed by a very well done montage to get the viewer pulled into the story. The montage has some very artful camera work and features Bob Dylan's "The Times They Are A-Changin.'" It sets the tone early on for cinematic greatness, but much to the audience's chagrin this tone gradually diminishes. The strong start with slow deterioration is reminiscent of the director's 2004 remake of Dawn of the Dead.

After the powerful opening scenes, the plot begins to gradually unfold into several threads, the most worthwhile one being Rorschach's. It is not surprising that Rorschach's character is the saving grace of the film, since he was unquestionable one of the favorite characters from the textual version of Watchmen. Rorschach, played by Jackie Earle Haley, touches the entire audience spectrum. His very nature as a costumed hero pleases the sci-fi lovers, action buffs will appreciate his almost sadistic nature, and his mask shows off some impressive shifting CGI inkblots for the technies. Furthermore, those who appreciate deep story and well-developed characters will love Rorschach's back-story, coupled with the noir-vibe emanated by his gruff narration.

Rorschach aside, many other characters were unbelievable. Of course this is not related to their abilities, since any move-goer would expect supernatural powers and unbelievable abilities in Watchmen. No, their unbelievable nature comes from their actions and the occasional cheesy scenes. The actors and actresses in the film demonstrated poor inflection and limited emotional range throughout many crucial scenes. Furthermore, the scenes were often overdone and became cliches of themselves. The awkwardly lengthy love scenes come to mind; while certain love scenes were meant to be devoid of emotion, the blissful moments still felt empty and odd. Now imagine this poor emotional resonance coupled with the out-of-place song "Hallelujah" playing in the background.

Jeffrey Dean Morgan's character, The Comedian, offers additional layers of believable acting, but his role in the film is limited primarily

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