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Created on: February 08, 2009
Dance is the foundation of all the arts.
Sometimes I thank my lucky stars that I am a so-called dumb dancer, for I can state unequivocally, without presenting an elaborate argument to prove it, that dance is the foundation of all the arts. It is with this in mind that I say any writer worth reading is a good dancer, or at least a frustrated one, whether he knows it or not. And a good singer is a dancer too, as well as an orator who can move the crowd. Likewise, the sculptor and the painter liberate us by virtue of their dance.
As far as I'm concerned, the arts require a little deliberation and a lot of practice. I do not mean to say that the good artist is stupid. Rather, I mean too much deliberation obstructs the expressions of the profound, primordial wisdom that inspires the creative arts.
It takes a lot of practice to form the disciplinary vessel required to liberate the flow of meaning. I inspire by this instant practice to let the words flow rather than force them into logical forms. I therefore fervently pray that I am able to get out of the way so that a being much wiser than I shall speak through me. Perhaps later, when I find confirmation somewhere or another of what I have said, maybe in a musty old book, I shall have good cause to ponder on how I came to know something before I learned it.
Do we give too much credit to man-made reason, an not enough to Reason as we find it? I believe so.
Be that as it may, dancing makes for a good night's sleep. Before I fell asleep last night, I was reading Rousseau. He had a practice of modeling his political urgings into very concise forms, which he would then use as a vocabulary for choreographing many lovely combinations. I was dreaming accordingly. It was a simple dance. A very large company was on stage, a company that comprised many small groups performing diverse variations on a grand theme. The dancers within each group had their own unique characteristics. However, the differences between the groups and the individuals within them began to diminish as the dancers approached absolute unison. I could not distinguish one form from another. I felt a great tension, as if an enormous irruption was imminent. I heard an anxious choir singing, "The Union is dangerous, the Union is dangerous, the Union is dangerous!" The chanting somehow dissolved the tension. I arose pleased and refreshed, because the tension was apparently in me, and I felt my questions about the true nature of Rousseau's political philsophy had been
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