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When I'm a wrestler, I behave as a wrestler.

That was Mickey Rourke responding to a Men's Journal question if he used steroids to aid in his nearly 40 pounds of muscle weight gain for his role in The Wrestler.

I don't know if, as non-denial denials go, that puts Rourke in the same category with Mark McGwire's "I'm not here to talk about the past," but adults can look at the rapid change in middle aged Rourke's physique and confortably speculate about how much flaxseed oil he had to inject to make that happen.

So, what am I not understanding?

I mean, I assume that, if Rourke took some steroid it wasn't done by happenstance; he didn't find it mixed in with the chocolate syrup on Kim Basinger's ass in some unfortunate 21st century sequel to 9 1/2 Weeks. I assume if he took steroids for a film role it was for cosmetic purposes, for purposes of authenticity, to better enable him to train and recover for an athletically demanding role. I assume that, if Rourke took some steroids that was a step beyond which some other actors, had they had a chance at this part, would have taken. I assume that the widespread acclaim, the career rejuvination which Rourke has received will translate not only to awards but to dollars. I assume this will be a lesson not lost on young actors, actors hoping to emulate Mickey Rourke - acting is as highly a competitive marketplace as exists; every now and again you'll read that the average yearly acting income for someone with a SAG card is like 6 grand - actors will do virtually anything to scratch and crawl their way into exactly the position in which Mickey Rourke has found himself, a position solely existing because of the authenticity of his protrayal of a professional wrestler.

So, what am I not understanding?

I turn on the TV, I read the entertainment magazines - and I see Mickey Rourke showered with acclaim for his work in this film. It's a rebirth, a rejuvination - he tells jokes on the talk shows, he's given the full star treatment by the celebrity journalists, and he won the Golden Globe last weekend for Best Actor in a Drama.

If Rourke isn't now the favorite to win the granddaddy of them all, the Academy Award, he's second in a hotly competitive race to Sean Penn.

I don't use the word competition loosely - this is a competition - movie studios spend hundreds of thousands of dollars in campaigning, tens of millions of people in the US and far more than that across the globe tune in to see who wins and who loses, there's a significant difference

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