by A.K. Farrar

Created on: August 02, 2008   Last Updated: August 03, 2008

Marriage has become such a common theme in Literature, and the works of Shakespeare so well known, that it is hard for us to realise that back in Elizabethan England ideas about marriage were very much up in the air.

Until the Reformation, the ideals of virginity, chastity and widowhood; of platonic relationships; of friendship - all rated higher than marriage.

With the coming of Protestantism, ideals changed.

Shakespeare was at the forefront of portraying these changes and many of his plays could be said to act as promotional tools for the act of marriage.

If Stanley Wells and his friends are right, Shakespeare's first two plays are both comedies - The Two Gentlemen of Verona and The Taming of the Shrew.

It is interesting to see how Shakespeare tackles the themes of the marriage debate in these plays - and it reveals several interesting aspects of the plays, some of which are much misunderstood.

The Two Gentlemen is a play about friendship - Valentine and Proteus start the play off with a dialogue making it very clear these two are ideal, youthful friends. What happens during the play undermines this ideal - deliberately so.

The thing that weakens their love for each other is love for a female: Shakespeare seems to be asking us if this is inevitable - will inter-gender love overpower, necessarily, intra-gender love?

But nothing is as simple as that in Shakespeare - Valentine has a one-to-one relationship with Silvia; Proteus already had an attachment to Julia, and then switches to the (un-reciprocated) love of Silvia. This, despite the exchange of rings and other tokens.

One is reminded of the idea of the fickleness of love at this point - and in several plays Shakespeare has young men switching their attentions (Demetrias, don't forget; and Romeo). Love is a necessary condition for a relationship, but is not sufficient.

The 'clown' Lance with his letter has progressed a little further than either of the two 'Gentlemen': His contract itemising the qualities of a potential wife widens the conditions; thought ought to be given to issues such as money and temperament, to weaknesses as well as strengths - it is very much a dead end in this play, the youth of the main protagonists seems to exclude them from making a sensible decision.

But Shakespeare hasn't quite finished with his exploration of the theme of friendship - there is one horrendous moment, towards the end of the play, where, after Proteus has attempted to force himself on Silvia, been stopped, and repented his

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