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Isn't it funny how the court jester has become the superhero of the entertainment world? Yes, the comedian, the funny man, has surpassed the movie star or rock musician in the popularity league. Think of the likes of John Cleese, Steve Martin or Woody Allen and you are seeing writer/actors that people aspire to be. A far cry from the local fool or village idiot.

So what drives people to comedy? Many comedians have told of how, as youngsters, they used comedy to defuse potentially violent encounters. But surely not all comedy geniuses sprang from the ranks of the bullied. To my mind the comedy impulse operates on a much simpler basis, the need to be liked. We court popularity by giving people the safe, non-addictive, drug of laughter.

But that's not what this article is about, it's about writing comedy screenplays, which is a much harder proposition than writing gags. You'll note that the three stalwarts named above gained their greatest honours with movies. They may have started out as gag writers, but ultimately the glittering prizes only come via the silver screen. Having said that I would encourage any novice screenwriter contemplating a screenplay to master the short form first.

The relationship between a gag or joke and a full length screenplay is a strange one. I personally like the Monty Python methodology of stringing sketches along a comedic plot-line, but a character telling a joke does not make your movie a comedy. The comedy must from the start be in your basic plot.

Around your daft situation your characters can become involved in humorous situations and say funny things, as long as they are moving the plot forward. A useful rule of thumb, which I learned when writing sit-coms was that there were only three reasons for a line of dialogue to be in a comedy script. One, to move the plot forward; two, the set up line for a joke; and three, the punchline to a joke. Everything else is waffle and should be stripped out.

It is possible to take a favourite joke and mould it into your character's plot-line, but you must ensure that the joints don't show. Does the situation fit in with the rest of the narrative? Would your character utter that punchline? Comedy is not a one-size fits all scenario.

Take for instance this joke:

A guy gets on a plane and finds himself sitting next to a beautiful woman. He strikes up a conversation and the woman tells him that she is a sex researcher. He is fascinated and asks her what she is researching.

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