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Sopranos season finale: Brilliant or bland?

Results so far:

Bland
56% 63 votes Total: 113 votes
Brilliant
44% 50 votes
Bland

The last episode of "The Sopranos" failed to deliver on a promise that was hinted at, and which chafed like a bad shirt at the end of every season. Would Tony be jailed by the feds, or would he be whacked? Would someone take his place, or would he have an epiphany and repent his mortal sins? HBO and David Chase let us all down when they decided to leave the ending open to interpretation. There will be endless conjecture about what happened next, with some firmly defending an indefensible conclusion.

On one hand, there are avid supporters who rave about the ending, insisting that their version of the outcome is backed up by clues dropped like bread crumbs throughout the episode. They say Tony was killed as Meadow walked through the door, or that the whole family ended up dead like some scene out of "The Godfather". Others contend that the "Fade to black" conclusion meant that Tony and his family survived their night at dinner and that he continued in the violent tradition we all grew to know and appreciate.

The rest of us sat there scratching our heads, hoping that from the blackness there would be small white lettering that would emerge, reading "to be continued" The disappointment that was felt by those who wanted a definite conclusion was palpable. Therein lies the rub, for no amount of speculation can bring closure to this argument. Because of this, loyal fans feel cheated and remain bitter over the abrupt departure of their beloved program with no resolution to cling to.

Purists might say that true art doesn't require resolution, and that leaving the ending unresolved is at the creator's discretion. To this we say a resounding "Hogwash!" It almost leaves us wishing we hadn't dedicated so much time to following the drama; almost, but not quite.

No one can deny the brilliance of the acting and the display of deadpan cruelty that was portrayed throughout the series, where family and friendship meant nothing when given orders to kill. Even the last episode had its share of delightful revulsion as the man we all came to hate, Phil Leotardo met his gruesome fate beneath the tire of his own vehicle; all the more dreadful with his family in the car. The sound of his head exploding was yet another example of the willingness to shock that drew us all in like moths to the flame.

The characters of Paulie, Sil, and Chris were like caricatures of the wiseguy image that will remain imbedded in our brains for years to come. The casting was genius, and the brutality addictive.

The storyline of "The Sopranos" appealed to the moral balance we carry with us and refine through what we learn and experience. The storyteller has an obligation to offer a conclusion that allows the viewer to make peace with his or her judgment of the antagonist. We will never know if Tony was punished, or if just being himself was punishment enough. The finale was a copout, and a refusal by the creator of the series to take a stand, one way or the other.

Learn more about this author, David Elder.
Contact this writer Click here to send this author comments or questions.

Brilliant

There seems to be two different camps when it comes to the opinions of the Sopranos Finale. I think a lot of it depends on who you are & where you are in your life. I can clearly remember where I was when the Sopranos began & have a clearer picture of who I was then as well as who I am now, as it ends. From the first time I saw Tony Soprano get melancholy over some ducks, I felt a connection.
Growing up from Italian American decent in the Northeast, I knew some wives like Carmella, more than a few girls like Ade & some Meadows too. Everyone knew a crazy Uncle June, a sharp tongued Livia and a messed up Janice. Most people knew a few wise guy Tonys, Christophers & Paulies too. Even if they didn't,they had cousins from Jersey who did. That was the "thing" about the Sopranos, you felt these were people you knew. The writing was rich & gripping, the actors intensely real & flawed like all of us.
More than a few Italian guys have mother issues & just as many women have abandonment or control issues with Dad. So watching Tony try to deal with his mother, sister, wife & daughter all made sense. More than a straight up story about the Mob,the Sopranos was about La Familia.
After all, what sent Tony to Dr. Melfie for therapy was "I never could please my mother" something that chased after him all the way to the last episode. He was no Michael Corleone saying "Just when I thought that I was out they pull me back in". He wasn't bemoaning his career. He had personal issues. Even when he was shot it wasn't at the hands of another crime family, it was by his own Uncle. Typical family dysfunction.
In the beginning Carmella, like many naive suburban housewives, thought Tony would or even could change. Stop having Gumbas. She never really went so far as to think he would change careers, she just prayed for his soul while embracing the lifestyle he afforded her. By the last show we see that she has accepted his lifestyle completely entrenched in her denial, as a trade-off.
With Christopher we see that his own family issues leave him with a strong desire to prove himself. His inner rage leads to his addiction to violence & then his need to use drugs to escape his reality. A reality he cannot break free from until Tony cuts off his breathing.
Only in Janice do we see an equal in complexity to Tony. Appropriate since they are both products of the same twisted upbringing. Tony brokers his deal with NY to include Janice being taken care of & then the siblings share their sadistic sense of humor over Bobby's death. Instead of mourning her late husband we see Janice feeling sorry for herself & plotting to manipulate Bobby's kids. Proving the apple doesn't fall far from the tree.
We see Meadow rationalizing & idealizing her father to the point where she is taking up Law to defend his lifestyle & marrying into a family not that unlike her own. The irony here is that Tony wanted her to become a Dr. as if her doing something "good" would atone for himself.
With AJ we see perhaps a glimpse of some of the conflict Tony went through as a teenager. Growing up around violence & being prone to anxiety & depression. He rebels against it by projecting it onto the society around him that he sees as weak & corrupt for being helpless to change & therefore avoiding it by its addiction to fantasy in TV & movies.Then doing the exact same thing himself by accepting his father's gift of a job & promise of his own business in entertainment.
And therein lies the main thread to the final chapter on the Sopranos. In the end it becomes clear that we the viewers, like everyone around him, allow Tony to get away with murder, literally. Only Dr. Melfie walks away from him. She realizes that her therapy is not helping Tony get better but helping him get better at what he is.
So in the last show, David Chase via Tony,craft fully leads us through a wild ride of wrapping up of loose ends. With Phil, with Junior, with his last man standing Paulie & finally with his wife & kids. All of who are totally tied to Tony through their codependency.
And suddenly the screen goes black. Does Tony get shot? Does he get arrested? Or does his his life, such as it is, just go on? We the viewers get no closure. We are left to our own conclusions. Chase pulls the plug on our own addiction & makes us face our own issues.
Because in the end it's up to us.
To me that is brilliant.







Learn more about this author, Lisa Ambrose.
Contact this writer Click here to send this author comments or questions.

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